Humanitarian strategies in culture in forming the newest tendencies in the Ukrainian cultural space
Abstract
The actuality of the study is stipulated by the need to establish appropriate facilities for the humanitarian advancement of the country, to form a favourable cultural space for the disclosure of the personal creative potential of each citizen on the basis of substantiation of priority humanitarian strategies in culture. The aim of the research is to identify the peculiarities of humanitarian strategies in culture as factors in the formation of the most relevant trends in the in the ongoing development of the modern Ukrainian cultural space. Research methods: method of theoretical analysis comparative method, system method, method of generalisation. The main results of the study are that, from the theoretical standpoint of cultural knowledge, the concept of ‘humanitarian strategies in culture’ is interpreted as priority areas of humanitarian and cultural development, which are specified by defining the goals, methods, mechanisms and tools for their implementation, aimed at revealing human creativity, forming human capital for creating a creative cultural space. The humanistic nature of the content of art education, its focus on the comprehensive development and creative potential of society is substantiated. It is determined that the actualisation, protection and restoration of the national cultural heritage is a key factor in the formation of national identity. The process of knowledge, research, preservation and restoration of the national cultural heritage is an important humanitarian strategy in culture. Cultural diplomacy is an important resource for the humanisation of culture, an effective tool for establishing intercultural communication among the main agents – artists from different countries, creative teams, civil society institutions, and the expert community. The creative industries are a platform for the country’s economic recovery. The importance of certain humanitarian strategies in culture for the creation of an innovative, competitive Ukrainian cultural space in the post-war recovery of the country is proved. Through innovation and the introduction of the latest technologies, a creative humanitarian space can be formed based on common cultural and humanistic values
Keywords
Suggested citation
Copy citationReferences
Show all references[1] Bezghin, O., Kuznetsova, I., & Uspenska, O. (2019) Artistic culture and art education of Ukraine: Modern manifestations and meanings. Kyiv: Institute of Cultural Studies of the National Academy of Arts of Ukraine.
[2] Concept of the Humanitarian Strategy of Ukraine: Ukrainian Institute of Politics, Analytical Centre. (2019). Retrieved from https://uiamp.org/uk/kontseptsiya-humanitarnoyi-stratehiyi-ukrayiny.
[3] Decree of the President of Ukraine No. 837/2019 “On Urgent Measures to Implement Reforms and Strengthen the State”. (2019). Retrieved from https://zakon.rada.gov.ua/laws/show/837/2019#Text.
[4] Denysiuk, Zh. (2023). Art education in the context of globalisation and cultural transformations of modernity. Bulletin of the National Academy of Management Personnel of Culture and Arts, 1. doi: 10.32461/2226-3209.1.2023.277628.
[5] Horbul, T. (2024). Digitalisation of cultural heritage in the context of socio-cultural transformations of the XXI century. (Doctoral dissertation, Kyiv, Ukraine).
[6] Hryhorenko, G. (2023). General overview of the situation in Ukraine and prospects for the development of cultural industries. In Creative potential of the cultural economy in the post-war reconstruction of Ukraine: Collection of scientific articles, abstracts of scientific reports based on the materials of the international scientific and practical conference (pp. 55-60). Kyiv: IC NAM of Ukraine.
[7] UNESCO International Weeks. (2024). International week of art education (20-26 May). Retrieved from https://www.unesco.org/en/weeks/arts-education.
[8] Kaplan, Y., & Tyshchenko, Y. (2020). Humanitarian policy in Ukraine: Challenges and prospects (white paper). Kyiv: NISS.
[9] Kushnariova, M. (2023). Ukrainian cultural diplomacy during the war: Experience, problems, prospects. Scientific Works of the Vernadsky National Library of Ukraine, 67, 35-53. doi: 10.15407/np.67.035.
[10] Law of Ukraine No. 3152-IX “On Culture”. (2023, June). Retrieved from https://zakon.rada.gov.ua/laws/show/2778-17#Text.
[11] Law of Ukraine No. 3136-IX “On the Protection of Cultural Heritage”. (2023, May). Retrieved from https://zakon.rada.gov.ua/laws/show/1805-14#Text.
[12] Lyashchenko, I. (2020). Art education as a direction of sustainable development. Young Scientist, 12(88). doi: 10.32839/2304-5809/2020-12-88-9.
[13] Martynenko, M., & Ignatieva, I. (2006). Strategic management. Kyiv: Caravela.
[14] Marukhovska-Kartunova, O. (2023). Development of cultural and creative industries in Ukraine in the context of European integration processes. Ukrainian Art Historical Discourse, 28-38. doi: 10.32782/uad.2022.spec.4.
[15] Mishchenko, M. (2023). Protection of immovable objects of cultural heritage in the conditions of aggressive war: Theoretical and practical aspects. The Culturology Ideas, 23. doi: 10.37627/2311-9489-23-2023-1.168-177.
[16] Musienko, N. (2021). The role of cultural heritage in the European context. Young Scientist, 12(88). doi: 10.32839/2304-5809/2020-12-88-9.
[17] Official website of Committee of the Verkhovna Rada of Ukraine “On Humanitarian and Information Policy. (2024). Retrieved from https://kompkd.rada.gov.ua/.
[18] Official website of UNESCO. (2024). Heritage for Peace: UNESCO World Heritage Centre. Retrieved from https://www.unesco.org/en.
[19] Official website of Ministry of Culture and Information Policy of Ukraine. (2024). Retrieved from https://mcip.gov.ua.
[20] Official website of Ministry of Culture and Information Policy of Ukraine. Cultural Heritage. (2024). Retrieved from https://mcip.gov.ua/kulturna-spadshchyna/novyny.
[21] Official website of Ministry of Foreign Affairs of Ukraine. (2020). Dmytro Kuleba: Strategy of foreign policy of a strong Ukraine. Retrieved from https://mfa.gov.ua/news/dmitro-kuleba-strategiya-zovnishnoyi-politiki-silnoyi-ukrayini.
[22] Order of the Cabinet of Ministers of Ukraine No. 265-r “On Approval of Types of Economic Activity that Belong to the Creative Industries”. (2019, April). Retrieved from https://zakon.rada.gov.ua/laws/show/265-2019-%D1%80#Text.
[23] Order of the Cabinet of Ministers of Ukraine No. 119-p. “On Approval of the Long-term Strategy for the Development of Ukrainian culture – Strategy of Reforms” (2016, February). Retrieved from https://www.kmu.gov.ua/npas/248862610.
[24] Order of the Ministry of Culture of Ukraine No. 686 “On Approval of the Regulation on Art School”. (2018, August). Retrieved from https://zakon.rada.gov.ua/laws/show/z1004-18#Text.
[25] Porter, M.E. (1990). The competitive advantage of nations. New York: The Free Press.
[26] Rozumna, O. (2016). Cultural diplomacy of Ukraine: State, problems, prospects: Analytical report. Kyiv: National Institute for Strategic Studies.
[27] Shershniova, Z., & Oborska, S. (2004). Strategic management. Kyiv: KNEU.
[28] Stepanenko, I.V., Gorbunova, L.S., Debych, M.A., Zinchenko, V.V., Sikorska, I.M., & Shipko, O.M. (Eds.). (2018). Cultural and humanitarian strategies for the development of university education in the context of dynamic social transformations. Kyiv: IWO NAPS of Ukraine.
[29] Strategy 2020-2030 “Let’s Create”: Arts Council England. (2024). Retrieved from https://www.artscouncil.org.uk/lets-create/strategy-2020-2030.
[30] Tatarnikova, A. (2023). Cultural diplomacy in the Eastern European space: cultural aspect, current trends. Bulletin of the National Academy of Management Personnel of Culture and Arts, 3, 15-19.
[31] The Culture White Paper. (2016). Department for Culture Media & Sport. Retrieved from https://assets.publishing.service.gov.uk/media/5a8149efe5274a2e8ab53297/DCMS_Arts_and_Culture_White_Paper_Accessible_version.pdf.
[32] Tymoshenko M. (2015). International humanitarian strategies: Theory and practice. Kyiv: NAKKKiM.
[33] Vlasenko, T., & Pozniak, M. (2020). Digitalisation in the creative industry for personal development. Young Scientist, 10(86). doi: 10.32839/2304-5809/2020-10-86-3.