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Author profile

Alina Kondratiuk

PhD in Arts, Doctoral Student

National Academy of Management Personnel of Culture and Arts

01015, 9 Lavrska Str., Kyiv, Ukraine

https://orcid.org/0000-0002-1001-0347

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Open Access

On the style of monumental painting of the Church of the Saviour at Berestove of 1643–1644

Alina Kondratiuk

01.09.2023

Keywords: Church of the Saviour at Berestove; monumental painting; style; post-Byzantine art; Era of Petro Mohyla

DOI: https://doi.org/10.32461/2226-0285.1.2023.286794

Suggested citation

Kondratiuk, A. (2023). On the style of monumental painting of the Church of the Saviour at Berestove of 1643–1644. Culture and Contemporaneity, 25(1), 125-130. https://doi.org/10.32461/2226-0285.1.2023.286794

Open Access

On the issue of the semantics of the monumental paintings of the church of the Saviour at Berestove of 1643–1644

Alina Kondratiuk

20.12.2023

Keywords: Church of the Saviour at Berestove; monumental painting; Macedonian Renaissance; post-Byzantine art; system of paintings; semantics; iconology; theological programme; ideological and artistic content; spiritual culture; archaism; Era of Petro Mohyla

DOI: https://doi.org/10.32461/2226-0285.2.2023.293877

Suggested citation

Kondratiuk, A. (2023). On the issue of the semantics of the monumental paintings of the church of the Saviour at Berestove of 1643–1644. Culture and Contemporaneity, 25(2), 112-117. https://doi.org/10.32461/2226-0285.2.2023.293877