Author

Open Access

To the issue concerning a byzantine iconostasis in the Kyiv-Pechersk Lavra, the 19th – beginning of the 20th centuries

M. Bardik

27.12.2021

Keywords: sacral culture; orthodoxy; Byzantine art; Baroque art; iconostasis; sacral mural painting; Kyiv Pechersk Lavra; Dormition Cathedral

DOI: https://doi.org/10.32461/2226-0285.2.2021.249250

Suggested citation

Bardik, M. (2021). To the issue concerning a byzantine iconostasis in the Kyiv-Pechersk Lavra, the 19th – beginning of the 20th centuries. Culture and Contemporaneity, 23(2), 151-157. https://doi.org/10.32461/2226-0285.2.2021.249250

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Open Access

Traditionalism in development of painting decoration of the Kyiv-Pechersk Lavra’s great church in the 18th – 21st centuries

M. Bardik

01.09.2023

Keywords: sacral culture; Orthodoxy; sacred monumental painting; Ukrainian painting; Kyiv‑Pechersk Lavra; Dormition Cathedral

DOI: https://doi.org/10.32461/2226-0285.1.2023.286792

Suggested citation

Bardik, M. (2023). Traditionalism in development of painting decoration of the Kyiv-Pechersk Lavra’s great church in the 18th – 21st centuries. Culture and Contemporaneity, 25(1), 111-117. https://doi.org/10.32461/2226-0285.1.2023.286792

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Open Access

Theological programme, analogies, innovations in mural painting of the exaltation of the precious Cross Church of the Kyiv-Pechersk lavra in 1894

M. Bardik

20.12.2023

Keywords: sacral culture; Orthodoxy; academic painting; baroque painting; mural painting; sacral painting; Ukrainian painting; Great Church; Dormition Cathedral; Cross Exaltation Church; Holy Trinity Gate Church; Daniil Davydov

DOI: https://doi.org/10.32461/2226-0285.2.2023.293872

Suggested citation

Bardik, M. (2023). Theological programme, analogies, innovations in mural painting of the exaltation of the precious Cross Church of the Kyiv-Pechersk lavra in 1894. Culture and Contemporaneity, 25(2), 95-104. https://doi.org/10.32461/2226-0285.2.2023.293872

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