Culture and Contemporaneity
ISSN 2226-0285

Author

Author profile

Galyna Pogrebnyak

Doctor of Arts, Associate Professor

National Academy of Culture and Arts Management

01015, 9 Lavrska Str., Kyiv, Ukraine

https://orcid.org/0000-0002-8846-4939

All articles

Open Access

Directing models of author cinema in the context of intercultural dialogue. Part 1. Co-production as a way to implement the producing and directing models

Galyna Pogrebnyak
27.12.2021

Keywords: intercultural dialogue; director-author; producer; Ukrainian author's cinema; co-production; director's model of authorship

DOI: https://doi.org/10.32461/2226-0285.2.2021.249210

Suggested citation

Pogrebnyak, G. (2021). Directing models of author cinema in the context of intercultural dialogue. Part 1. Co-production as a way to implement the producing and directing models. Culture and Contemporaneity, 23(2), 23-28. https://doi.org/10.32461/2226-0285.2.2021.249210
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Open Access

Directing models of author cinema in the context of intercultural dialogue. Part 2. The creativity of the director-author in the system of international cooperation

Galyna Pogrebnyak
15.09.2022

Keywords: intercultural dialogue; director-author; producer; Ukrainian author's cinema; co-production; director's model of authorship

DOI: https://doi.org/10.32461/2226-0285.1.2022.262553

Suggested citation

Pogrebnyak, G. (2022). Directing models of author cinema in the context of intercultural dialogue. Part 2. The creativity of the director-author in the system of international cooperation. Culture and Contemporaneity, 24(1), 35-40. https://doi.org/10.32461/2226-0285.1.2022.262553
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Open Access

Directing models of author cinema in the context of intercultural dialogue. Part 3. Creativity of directors-authors with the assistance of international programs, funds, conventions

Galyna Pogrebnyak
15.01.2023

Keywords: Ukrainian auteur cinematography; international cooperation; director-author; producer; directorial model of authorship; Creative Europe; European Convention on joint cinematographic production

DOI: https://doi.org/10.32461/2226-0285.2.2022.270534

Suggested citation

Pogrebnyak, G. (2022). Directing models of author cinema in the context of intercultural dialogue. Part 3. Creativity of directors-authors with the assistance of international programs, funds, conventions. Culture and Contemporaneity, 24(2), 8-15. https://doi.org/10.32461/2226-0285.2.2022.270534
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Open Access

Frame design in visual culture of contemporary filmmaking. Part 1. Constructing authorʾs cinematic language in directing by Yuriy Illenko’s films

Galyna Pogrebnyak
01.09.2023

Keywords: visual culture; author's cinematography; director; frame; design; screen art; composition; colour

DOI: https://doi.org/10.32461/2226-0285.1.2023.286780

Suggested citation

Pogrebnyak, G. (2023). Frame design in visual culture of contemporary filmmaking. Part 1. Constructing authorʾs cinematic language in directing by Yuriy Illenko’s films. Culture and Contemporaneity, 25(1), 42-48. https://doi.org/10.32461/2226-0285.1.2023.286780
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Open Access

Frame design in the visual culture of modern author’s directing. Part 2. Projecting the objective world in films by author-directors

Galyna Pogrebnyak
20.12.2023

Keywords: fine art; artist; audiovisual art; director; shot; design; image projection

DOI: https://doi.org/10.32461/2226-0285.2.2023.293745

Suggested citation

Pogrebnyak, G. (2023). Frame design in the visual culture of modern author’s directing. Part 2. Projecting the objective world in films by author-directors. Culture and Contemporaneity, 25(2), 50-57. https://doi.org/10.32461/2226-0285.2.2023.293745
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